In the decade of 1960 several practitioners in the fields of architecture, landscape architecture and urbanism proposed similar, yet distinct, systems of urban notation.
Et encore une fois, garder s’il vous plaît leur identité secrète !
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This visual essay elaborates on a very specific effect of speed on landscape perception, through the prism of users inside a theoretical high-speed train along the Scottish landscape.
By following a visual research method proposed by Tim Ingold (1993), this essay uses a famous Scottish painting of Loch Lomond, by Horatio Mc Culloch, to explain the influence speed has on the perception of the vertical layers that compose the landscape seen from the window – landscape as a moving screen.